Monthly Archives: April 2012
In life, there are many important moments. Some, such as graduating, getting married, or having a child, are some of what many consider to be the most important.
Like life, our written works contain a few moments that are the most important. In my journey as a writer, I have found the following to be 5 of the most important moments of a story (sorted chronologically):
1. The Beginning
Uh, ya think? Not only does the beginning of your story have the job of getting the narrative train rolling down tens of thousands of words, but it is also host to the all-important hook. This is where you give your reader a reason to keep going. Will they board the story train, or not?
2. The Point of No Return
Believe it or not, this is the point where the reason for your telling the story actually begins. Everything before it has just served to “set-up” the story. It is at this juncture where the world as your protagonist knows it has changed, and he or she has a new need or quest (i.e. solving the story problem). The conductor has jumped off the train as it loses control, and our hero makes the decision to help stop it.
3. The Midpoint Shift
About halfway through your story is another shift. This is a point where it is easy to let your story sag, but you can use it to add a new element or twist to the story. It is also the point in which your protagonist will make a decision, usually to take down the story problem. The train has switched tracks, and the previous plan to stop it is ruined. The hero takes matters into his own hands.
4. Failure is Imminent
This is the lowest point for the protagonist. All of their efforts are in vein, allies have died, and the antagonist is on the brink of winning. Everything the protagonist has worked for since the story problem began is for granted. The hero has made it to the brake switch in the lead car, but it is jammed.
5. The Ending
This one is pretty much a no brainer. If this list was in order of importance, this might be listed first. Here, the protagonist is able to take all they’ve learned as the story’s progressed, and solve the story problem (usually at great risk to themselves). It is usually the icing on the cake for the reader, if you deliver an ending that justifies their spending hours reading your story. The hero climbs below the train and manually activates the train’s brakes, getting injured in the process but saving everyone on board.
For additional resources on story structure, by which this post was inspired, check out Story Engineering by Larry Brooks. For screenwriters (and authors, too), check out Save The Cat! by Blake Snyder.
Choosing a title for your writing project can be a daunting task. It is, after all, a potential reader’s first look into the soul of your work. It is often just as important as your pitch, query letter, even the work itself. It is critical that your title shed some light on what your book is about, but also that it catches your potential reader’s attention. Here are some things to consider:
Identify Your Genre
First of all, you need to know what realm you’re working in. If the working title for your latest children’s book is The Zombie Queen of Hopscotch, you should probably reconsider. Your title should be reflective of the genre, or vague enough that it can fit anywhere.
Make it Attention-Grabbing
This doesn’t mean that your title has to jump off the page and slap someone in the face, but that it is enough to create a little spark in the mind of whomever comes across it. It should make your potential reader curious about what glorious wonders your work contains. The title can give a strong indication of what the story is about (Star Wars) or very little (1984). The fact that this spark exists is what is important.
Don’t Let it Limit You
When you’re writing with a working title, don’t get too attached to it. If the seed of your idea comes from a catchy title, or is an instructional guide or the like, this wouldn’t be as applicable. But if your idea is character or conceptually driven, be careful not to let your working title put you in a corner.
If you start your WIP with the title George the Lizard, but then your work evolves beyond that title as you write it, don’t get locked in. That’s why it’s called a working title. You’re working on it!
Consider the following:
- The Dead Un-Dead by Bram Stoker (became Dracula)
- Atticus by Harper Lee (became To Kill A Mockingbird)
- Star Beast (became Alien [film])
What would have happened to these books (and film) if they’d kept their original working titles? What thoughts, emotions, or ideas do the final titles elicit, versus the originals?
This is something I strongly encourage in all aspects of your writing, including developing your title. You’ve spent (or are spending) a lot of time and effort on your creation, molding it and shaping it with a steady hand. Pick a name for it with the same care you used in writing it.
Try this: Pick out a couple of catchy phrases that reflect your work in some way, and choose one that you like best. Or, combine different parts of those phrases to make a whole new one. Can you use that as a title? Be sure to take the time to enjoy the creative process while you’re at, because that’s what being a writer is all about.
What is the title of your work in progress? If you’ve decided on one, what were some others you considered before?